When Hayden Panettiere signed on to Nashville back in 2012, she was 23 years old and stepping into what everyone assumed would be a supporting role. Connie Britton, her costar playing Rayna Jaymes, was a seasoned pro with three Emmy nominations and the clear lead. But something shifted after the pilot episode aired—and Panettiere’s new memoir reveals just how uncomfortable that shift made her feel.
In This Is Me: A Reckoning, released Tuesday, May 19, Panettiere opens up about the dynamic that developed between herself and Britton on the set of the ABC and CMT drama series, which debuted in October 2012 and ran for four seasons on ABC before CMT picked it up in December 2016 for its final two years. The crux of the issue was billing. Panettiere went from maybe number five in terms of importance to what felt like nipping at Connie’s heels almost overnight—and she hated it.
What makes her account so striking isn’t that there was tension; it’s how acutely aware Panettiere was of the power dynamics at play. She was terrified of making Britton worry that she, not her character, was trying to compete. So she did something small but deliberate: during scenes where they were both directed to reach for a microphone stand simultaneously to insinuate their characters’rivalry, Panettiere always made sure to grab it under Britton’s hand. A physical gesture of deference. A signal of respect. Whether Britton noticed or not, Panettiere says she did it anyway—determined not to step on the toes of either Rayna Jaymes or the woman playing her.
The memoir also touches on other periods of Panettiere’s life, including her romance with Heroes costar Milo Ventimiglia when he was 30 and she was 18, and the domestic violence she suffered at the hands of her ex Brian Hickerson. Her willingness to revisit the Nashville chapter—something she’d only hinted at publicly in a September 2025 interview with Entertainment Weekly—suggests a broader reckoning with how power, age, and ambition shaped her early career. And it raises an interesting question: How much of what happens between costars on set is actually about professional dynamics, and how much is about the younger actor’s anxiety around appearing threatening?

About the Author
Ava Hart
Ava Hart is a contributor to LocalBeat, covering local news and community stories.





